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Never one to disappoint with stunning exhibitions or championing ultra-talented creatives, The Future Perfect was undoubtedly the belle of the ball at the 20th-anniversary edition of Design Miami. With nearly 100 new works from over 20 global artists and designers – 95 of them crafted specifically for the fair – the renowned design gallery’s presentation was as expansive as the show’s ‘Blue Sky’ theme. It was a celebration of boundless creativity, anchored by a shared vision of contemporary design’s vast potential.
The exhibition embraced a bifurcated concept: one half featured works from a mix of emerging and established artists, while the other side provided a platform for New Delhi-based artist Vikram Goyal’s United States debut. An exquisite tapestry by Thompson Street Studio served as the ‘line of demarcation’ between the two halves, uniting the dual narratives within the booth.
While the entire display was a feast for the senses, these five highlights stood out:
Making his first appearance at Design Miami, Vikram Goyal captivated attendees with his bronze wall reliefs and sculptural furniture – a collection spanning tables, benches, a mirror, sconces, and a chandelier. His work masterfully bridged India’s artisanal heritage and modern aesthetics, transforming age-old repoussé techniques into breathtaking metalworks that left passersby in awe.
A luminary in lighting design, Lindsey Adelman introduced a chandelier that became the ‘sky’ of the space. This piece marked a return to her handcrafted roots, perfectly embodying the ethereal quality of the ‘Blue Sky’ theme.
Chris Wolston’s Mafafa chairs stole the spotlight, each wrapped in over 50 woven Nalgona hands. Complementing this, his ceramic coffee table explored a tranquil palette of blue and green glazes. These mesmerizing pieces expanded his material vocabulary and demonstrated his ability to blur the lines between function and sculpture.
Thompson Street Studio’s fabric screen was a show-stopper – not only for its role in dividing the space but for its composition of antique and upcycled textiles, all dyed in soft, seasonal hues. This handmade, large-scale installation added a tactile richness to the booth, celebrating sustainability through artistry.
Finally, TFP’s inaugural Future Perfect Prize winner, Bahamian artist Anina Major, debuted an evocative collection of stoneware works reminiscent of traditional basketweaving. “We created the Prize last year to celebrate our 20th anniversary,” shares TFP founder David Alhadeff. “Unveiling Anina’s work at Design Miami feels like the perfect culmination.” Major’s pieces reimagined material and form, marking a career milestone while embodying the fair’s innovative spirit.
With each piece, the gallery reaffirmed its position as an industry trailblazer, exhibiting an unparalleled knack for discovering and curating the most avant-garde designers of our time.
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The complete list of artists and designers include: Vikram Goyal, Anina Major, Chris Wolston, Chen Chen and Kai Williams, Karl Zahn, Lindsey Adelman, Jane Yang-D’Haene, Thompson Street Studio, Floris Wubben, Laurids Gallee, Kristin Victoria Baron, Leena Similu, Autumn Casey, Olivia Cognet, Ian Collings, John Hogan, Piet Hein Eek, Ben & Aja Blanc, Sophie Lou Jacobsen, Cody Hoyt, Myungjiin Kim, and Eric Roinestad. To learn more about The Future Perfect’s exhibition at Design Miami 2024, visit thefutureperfect.com.
Photography by Joe Kramm.
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